Apocalypse at Painting to Cinema: The end of Western Civilization and Hegemony

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dc.contributor.authorKöksal, Selma
dc.date.accessioned2020-04-30T22:39:31Z
dc.date.available2020-04-30T22:39:31Z
dc.date.issued2018
dc.departmentDÜ, Rektörlük, Kütüphane ve Dokümantasyon Daire Başkanlığıen_US
dc.descriptionWOS: 000454229100003en_US
dc.description.abstractAs we know, the European-American Western civilization and authority has started to form with the Greek civilization, and strengthened itself through the advent of monotheistic religions. After the Renaissance era and industrial revolutions, the transition from feudalism to industrialization and then to capitalism, made Europe a center of the world. Yet, today, the center has been shifted to the line of Europe-America. In the art of painting, the concept of apocalypse is as old as the first paintings that depict the narrations about human existence. Yet, we can see this concept in an intensified way in the film arts. Finding its inspiration from the social world we live in, film art has been deeply affected by the social class struggles, income inequality, cold war period followed by two major wars, and environmental disasters. By analyzing examples from the history of art and directors from turn arts (such as Tarkovsky, Inarritu, Lars von Trier, and Nun Bilge Ceylan) who use metaphorical sceneries in dystopian /utopian contents, this article will focus on decoding the signification of the concept of apocalypse throughout the history of humanityen_US
dc.identifier.doi10.5195/cinej.2018.187en_US
dc.identifier.endpage71en_US
dc.identifier.issn2159-2411
dc.identifier.issn2158-8724
dc.identifier.issue1en_US
dc.identifier.startpage52en_US
dc.identifier.urihttps://doi.org/10.5195/cinej.2018.187
dc.identifier.urihttps://hdl.handle.net/20.500.12684/2751
dc.identifier.volume7en_US
dc.identifier.wosqualityN/Aen_US
dc.indekslendigikaynakWeb of Scienceen_US
dc.language.isoenen_US
dc.publisherUniv Pittsburgh, Univ Library Systemen_US
dc.relation.ispartofCinej Cinema Journalen_US
dc.relation.publicationcategoryMakale - Uluslararası Hakemli Dergi - Kurum Öğretim Elemanıen_US
dc.rightsinfo:eu-repo/semantics/openAccessen_US
dc.subjectApocalypseen_US
dc.subjectHegemonyen_US
dc.subjectExistenceen_US
dc.subjectPaintingen_US
dc.subjectContemporary film artsen_US
dc.subjectTarkovskyen_US
dc.titleApocalypse at Painting to Cinema: The end of Western Civilization and Hegemonyen_US
dc.typeArticleen_US

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