Çağdaş sanatta tuhaf kavramının kişisel anlatı olarak ele alınışı
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Date
2022
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Düzce Üniversitesi
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info:eu-repo/semantics/openAccess
Abstract
Çağdaş Sanatta Tuhaf Kavramının Kişisel Anlatı Olarak Ele Alınışı isimli bu çalışmada alışılmışın dışında, şaşkınlık verici ve esrarengiz nitelikleriyle merak uyandıran tuhaf kavramı, kişisel mitolojiler ekseninde çağdaş sanattaki örnekler üzerinden incelenmesi amaçlanmıştır. Üç ana başlık altında ilerleyen bu çalışmanın ilk bölümünde tuhafın kendisine içkin olan tekinsizlik, doğaüstü ve öteki, kavramları ile olan ilişkisi incelenmiş, buna ek olarak tuhaf kavramının çağdaş sanata uyumlanmasında kilit rol oynayan Marcel Duchamp, tuhaf kavramı bağlamında ele alınmıştır. Tezin ilk bölümde tuhaf kavramını karşılayan en uygun ortamlardan biri olan kamusal alan, seçili sanatçıların işleri bağlamında yorumlanmıştır. Tezin ikinci bölümünde anlatılar üzerinden şekillenen kabulleri teresine çeviren tuhaf nitelikteki çağdaş sanat üretimlerine odaklanılmış, bunun yanında mitolojik verilerden yararlanılarak yeni anlatılara konu olan hayvan figürünün tuhaf kavramına öykünen örnekleri üzerinde kuvvetle durulmuştur. Üçüncü bölümde ise tezin içeriğine uygun olarak uygulama çalışmalarına yer verilmiştir.
In this study titled "The Handling of the Strange Concept in Contemporary Art as Personal Narrative", it is aimed to examine the strange concept, which arouses curiosity with its unusual, surprising and mysterious qualities, on the axis of personal mythologies, through examples in contemporary art. In the first part of this study, which proceeds under three main headings, the relationship of the strange with the concepts of the uncanny, the supernatural and the other, which are inherent in it, is examined, and in addition, Marcel Duchamp, who plays a key role in the adaptation of the concept of strange to contemporary art, is discussed in the context of the concept of strange. In the first part of the thesis, the public sphere, which is one of the most suitable environments that meets the concept of strange, is interpreted in the context of the works of selected artists. In the second part of the thesis, it has been focused on the strange contemporary art productions that overturn the assumptions shaped through the narratives, besides, the examples that emulate the strange concept of the animal figure, which is the subject of new narratives, are emphasized by making use of mythological data. In the third part, application studies are given in accordance with the content of the thesis.
In this study titled "The Handling of the Strange Concept in Contemporary Art as Personal Narrative", it is aimed to examine the strange concept, which arouses curiosity with its unusual, surprising and mysterious qualities, on the axis of personal mythologies, through examples in contemporary art. In the first part of this study, which proceeds under three main headings, the relationship of the strange with the concepts of the uncanny, the supernatural and the other, which are inherent in it, is examined, and in addition, Marcel Duchamp, who plays a key role in the adaptation of the concept of strange to contemporary art, is discussed in the context of the concept of strange. In the first part of the thesis, the public sphere, which is one of the most suitable environments that meets the concept of strange, is interpreted in the context of the works of selected artists. In the second part of the thesis, it has been focused on the strange contemporary art productions that overturn the assumptions shaped through the narratives, besides, the examples that emulate the strange concept of the animal figure, which is the subject of new narratives, are emphasized by making use of mythological data. In the third part, application studies are given in accordance with the content of the thesis.
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Güzel Sanatlar, Fine Arts
