GÜNCEL SANAT ORTAMININ YENİ PARADİGMASI: DURUMSAL ESTETİK
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Tarih
2020
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Düzce Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
Bu makale yeni bir çehreye bürünen günümüz sanat ortamında yenice ortaya çıkan kavramlardan biri olan “Durumsal Estetik”e odaklanmaktadır. Durumsal Estetik konusu incelenirken öncelikle “estetik” kavramını gözden geçirmek gerekmektedir. Estetiğin oluşum ve gelişim sürecine ve tanımlarına giriş bölümünde kısaca değinilmiştir. Makalenin ikinci bölümünde sanat-estetik birlikteliğine eleştirel yaklaşan durum ve ortamlar gözden geçirilmiş; özellikle Duchamp ve Dadacıların estetik ve güzelden arınmış bir sanat anlayışı yaratmaya yönelik tutumları ve üretimin yerini düşünce ve deneyimin alması konuları üzerinde durulmuştur. Makalenin temel meselesini oluşturan “Durumsal Estetik” konusu ise üçüncü bölümde ayrıntılı bir şekilde incelenmiştir. Bu başlık altında, estetik teorinin güncel sanat ortamında yeni paradigmalara dönüşmesi, sanat dünyasının ve sanat piyasasının yeni aktörlerinin olay ve durumlardaki etkileri, strateji ve taktik gibi yöntemlerin sanat alanında kullanımı konuları incelenmiştir.
This article focuses on “Situational Aesthetics”, one of the newly emerging concepts in today’s art scene that has been taken on a new face. When examining the subject of situational aesthetics, it is necessary first to review the concept of “aesthetics”. After briefly outlining the formation, development and definitions of aesthetics in the introduction, the situations and environments that are critical of art-aesthetic cohesion are reviewed in the second part of the article. In particular, the attitudes of Duchamp and Dadaists to create a concept of art free of aesthetics and beauty, and the replacement of production with thought and experience are emphasized. Situational aesthetics, which constitutes the main issue of the article, is examined in detail in the third chapter. Under this title, issues such as the transformation of the aesthetic theory into new paradigms in contemporary art environment, the effect factors of the new actors of the art world and the art market in events and situations, the use of methods such as strategy and tactics in the art field are examined.
This article focuses on “Situational Aesthetics”, one of the newly emerging concepts in today’s art scene that has been taken on a new face. When examining the subject of situational aesthetics, it is necessary first to review the concept of “aesthetics”. After briefly outlining the formation, development and definitions of aesthetics in the introduction, the situations and environments that are critical of art-aesthetic cohesion are reviewed in the second part of the article. In particular, the attitudes of Duchamp and Dadaists to create a concept of art free of aesthetics and beauty, and the replacement of production with thought and experience are emphasized. Situational aesthetics, which constitutes the main issue of the article, is examined in detail in the third chapter. Under this title, issues such as the transformation of the aesthetic theory into new paradigms in contemporary art environment, the effect factors of the new actors of the art world and the art market in events and situations, the use of methods such as strategy and tactics in the art field are examined.
Açıklama
Anahtar Kelimeler
Durumsal Estetik, Postmodernizm, Estetik, Strateji, Güncel Sanat, Situational Aesthetics, Postmodernism, Aesthetics, Strategy, Today’s Art
Kaynak
Tykhe Sanat ve Tasarım Dergisi
WoS Q Değeri
Scopus Q Değeri
Cilt
5
Sayı
8
