Fatih Akin’s Modern Tragedy of Deprivation: Aus Dem Nichts (In The Fade)

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dc.contributor.authorKurtyılmaz, Deniz
dc.date.accessioned2024-12-28T20:29:01Z
dc.date.available2024-12-28T20:29:01Z
dc.date.issued2024
dc.description.abstractFatih Akın's cinema takes a clear political stance on the experience of being the other, especially since the director himself, as an immigrant, has experienced being a stranger first-hand. Aus Dem Nichts (Parampararça), which is discussed in this article, also stands out as a production about the view of the other. The film's story draws heavily on real events and opens up Germany's long criminal file on xenophobia for discussion. However, Akin does not intend to condemn Germany alone and emphasizes that xenophobia is fundamentally a matter of a lack of empathy. Akın also manages to create a modern tragedy through a narrative in which the issue of deprivation is central. In other words, Akin raises questions about the moral dilemmas of a human being by extending the concept of absence to deprivation. In this article, Aus Dem Nichts is analyzed through the method of discourse analysis. When the narrative of the film is analyzed from a philosophical perspective, it is seen that Fatih Akın successfully presents a modern tragedy through 3 main axes emphasizing different types of deprivation.
dc.description.abstractFatih Akin's cinema takes a clear political stance on the experience of being the other, especially since the director himself, as an immigrant, has experienced it first-hand. Aus Dem Nichts (In The Fade), which is the subject of this article, stands out as a production with a sober discourse on the view of the other. The film's story draws heavily on real events and opens up Germany's long criminal file on xenophobia for discussion. However, Akin also emphasizes that xenophobia is fundamentally about the absence of empathy. In other words, the director goes beyond making a stereotypical movie by considering this absence as not only political but also anthropological. Violence against foreigners, far from being a political choice, is about an indifference to the presence of another, and is much more widespread than we realize. In this article, Aus Dem Nichts is analyzed in the context of mise-en-scene criticism. A philosophical deconstruction of the film's narrative and style reveals that Akin has successfully presented a modern tragedy of deprivation.
dc.identifier.dergiparkDergiPark: 1413651
dc.identifier.doi10.55004/tykhe.1413651
dc.identifier.endpage158
dc.identifier.issn2667-6818
dc.identifier.issue1
dc.identifier.startpage6142
dc.identifier.urihttps://doi.org/10.55004/tykhe.1413651
dc.identifier.urihttps://dergipark.org.tr/tr/download/article-file/3635304
dc.identifier.urihttps://dergipark.org.tr/tr/pub/tykhe/issue/82830/1413651
dc.identifier.urihttps://hdl.handle.net/20.500.12684/18036
dc.identifier.volume9
dc.language.isoen
dc.publisherDüzce Üniversitesi
dc.relation.ispartofTykhe Sanat ve Tasarım Dergisi
dc.relation.publicationcategoryMakale - Ulusal Hakemli Dergi
dc.rightsinfo:eu-repo/semantics/openAccess
dc.snmzKA_20241228
dc.subjectFatih Akın
dc.subjectAus dem Nichts
dc.subjectParamparça
dc.subjectYoksunluk
dc.subjectYabancı Düşmanlığı
dc.subjectFatih Akin
dc.subjectAus dem Nichts
dc.subjectIn the Fade
dc.subjectDeprivation
dc.subjectXenophobia
dc.titleFatih Akin’s Modern Tragedy of Deprivation: Aus Dem Nichts (In The Fade)
dc.title.alternativeFatih Akin’s Modern Tragedy of Deprivation: Aus Dem Nichts (In The Fade)
dc.typeArticle

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