Çağdaş sanatta pasif özne bağlamında bedenin yeniden üretimi
Küçük Resim Yok
Tarih
2025
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Düzce Üniversitesi
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
"Çağdaş Sanatta Pasif Özne Bağlamında Bedenin Yeniden Üretimi" adlı sanatta yeterlik tezinde kullanılan 'pasif özne' kavramı, sosyal, politik ve kültürel ilişkiler temelinde beden imgesinin edilgen biçimini ifade etmek amacıyla ele alınmaktadır. Bu kavram, Michel Foucault'nun otorite ve iktidar temelli söylemlerinde ortaya koyduğu, iktidarın üretildiği kurumlar üzerinden şekillenen "Panoptikon" modeli/metaforu aracılığıyla; sürekli gözetlenme ve gözetlenebilirlik ilkeleri ekseninde değerlendirilir. Algı ve sanat bağlamında beden olgusu, hakikat ve yanılsama ikileminde ele alınarak, özellikle kitle iletişim araçları ve sosyal medya ile etkisini artıran popülizm üzerinden yeniden düşünülmektedir. Bu kapsamda, popülizmin günümüz sanatına etkileri incelenmekte ve post-truth kavramı üzerinden çağdaş sanatta beden temsiliyle ilişkisi kavramsal bir zemine oturtulmaktadır. Beden imgesinin tüketim kültüründeki konumu ise Jean Baudrillard'ın Tüketim Toplumu adlı yapıtında ele alınan nesneleşen ve edilgenleşen beden kavramı üzerinden kapsamlı bir şekilde değerlendirilmektedir. Pasif özne bağlamında özellikle kadın bedeninin klasik ve çağdaş sanat yapıtlarında temsil ediliş biçimi, tarihsel olarak süreklilik gösterse de bu varoluş, genellikle uysal ve edilgen bir beden kurgusu içinde yer almaktadır. Cinsiyet ve cinsellik söylemleriyle biçimlenen beden idealleri, bedenin kendi öz varlığından uzaklaştırılarak dışsal kodlara göre şekillenmesine, yani uysal beden formuna dönüşmesine zemin hazırlar. Bu bağlamda dişil ve eril formlar, çoğunlukla yalnızca "bakılan" edilgen imgeler olarak konumlandırılmaktadır. Tezin araştırma ve gelişim sürecinde; klasik ve çağdaş sanat üretimlerinin günümüzde nasıl biçimlendiği, hazır-yapımlar ve türleri, bedenle kurulan ilişkiler, bedenin dönüşümü ve bedenin hem biçimsel hem de içkin yapısının yapıbozuma uğratılması gibi konular kuramsal ve kavramsal boyutlarıyla ele alınmaktadır.
In the proficiency in art thesis titled "The Reproduction of the Body in Contemporary Art in the Context of the Passive Subject", the concept of the passive subject is addressed in order to express the passive form of the body image based on social, political, and cultural relations. This concept is evaluated through the "Panopticon" model/metaphor, shaped by the institutions where power is produced, as presented in Michel Foucault's authority- and power-based discourses, and is considered within the principles of constant surveillance and observability. Within the context of perception and art, the phenomenon of the body is reconsidered through the dichotomy of truth and illusion, particularly in relation to populism, which has gained influence through mass communication tools and social media. In this context, the effects of populism on contemporary art are examined, and its relationship with body representation in contemporary art is conceptually grounded through the notion of post-truth. The position of the body image in consumer culture is comprehensively evaluated through the concept of the objectified and consequently passive body, as discussed in Jean Baudrillard's work The Consumer Society. Within the context of the passive subject, although the representation of the female body in classical and contemporary art has shown historical continuity, this existence generally takes place within a fiction of a submissive and passive body. Body ideals shaped by gender and sexuality discourses prepare the ground for the transformation of the body into a submissive form, shaped by external codes and detached from its own selfhood. In this regard, feminine and masculine forms are often positioned as passive images in the state of merely being "looked at." Throughout the research and development process of the thesis, subjects such as how classical and contemporary art productions are shaped today, the nature and types of ready-mades, relationships with the body, the transformation of the body, and the deconstruction of the body both in form and in immanence are examined on a theoretical and conceptual level.
In the proficiency in art thesis titled "The Reproduction of the Body in Contemporary Art in the Context of the Passive Subject", the concept of the passive subject is addressed in order to express the passive form of the body image based on social, political, and cultural relations. This concept is evaluated through the "Panopticon" model/metaphor, shaped by the institutions where power is produced, as presented in Michel Foucault's authority- and power-based discourses, and is considered within the principles of constant surveillance and observability. Within the context of perception and art, the phenomenon of the body is reconsidered through the dichotomy of truth and illusion, particularly in relation to populism, which has gained influence through mass communication tools and social media. In this context, the effects of populism on contemporary art are examined, and its relationship with body representation in contemporary art is conceptually grounded through the notion of post-truth. The position of the body image in consumer culture is comprehensively evaluated through the concept of the objectified and consequently passive body, as discussed in Jean Baudrillard's work The Consumer Society. Within the context of the passive subject, although the representation of the female body in classical and contemporary art has shown historical continuity, this existence generally takes place within a fiction of a submissive and passive body. Body ideals shaped by gender and sexuality discourses prepare the ground for the transformation of the body into a submissive form, shaped by external codes and detached from its own selfhood. In this regard, feminine and masculine forms are often positioned as passive images in the state of merely being "looked at." Throughout the research and development process of the thesis, subjects such as how classical and contemporary art productions are shaped today, the nature and types of ready-mades, relationships with the body, the transformation of the body, and the deconstruction of the body both in form and in immanence are examined on a theoretical and conceptual level.
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Künye
Öksüz, A. (2025). Çağdaş Sanatta Pasif Özne Bağlamında Bedenin Yeniden Üretimi (Tez No. 984000) [Sanatta Yeterlik Tezi, Düzce Üniversitesi].
