Antiochia As A Cinematic Space and Semir Aslanyurek as a Film Director From Antiochia
Yükleniyor...
Dosyalar
Tarih
2020
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Univ Pittsburgh, Univ Library System
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
This study will look at cinematic representation of Antiochia, a city with multiple identities, with a multicultural, long and deep historical background in Turkish director Semir Aslanytirek's films. The article will focus on Aslanytirek's visual storytelling through his beloved city, his main characters and his main conflicts and themes in his films Sellale (2001), Pathto House (2006), 7 Yards (2009), Lal (2013), Chaos (2018). Semir Aslanyurek was born in Antiochia in 1956. After completing his primary and secondary education in Antiochia (Hatay), he went to Damascus and began his medical training. As an amateur sculptor, he won an education scholarship with one of his statues for art education in Moscow. After a year, he decided to study on cinema instead of art Semir Aslanyttrek studied Acting, Cinema and TV Film from 1980 to 1986 in the Russian State University of Cinematography (VGIK), Faculty of Film Management, and took mastees degree. While working as a professor at Marmara University, Aslanyurek directed feature films and wrote many screenplays. This article will also base its arguments on Aslanytkrek's cinematic vision as multi-cultural and as a multidisciplinary visual artist.
Açıklama
Anahtar Kelimeler
Antiochia, cinematic space, blind, speechless, war, ethnic conflicts, Semir Aslanyurek, National Cinema
Kaynak
Cinej Cinema Journal
WoS Q DeÄŸeri
N/A
Scopus Q DeÄŸeri
Cilt
8
Sayı
2
