Pioneering Experimental Heroes of Turkish Cinema
Küçük Resim Yok
Tarih
2023
Yazarlar
Dergi Başlığı
Dergi ISSN
Cilt Başlığı
Yayıncı
Univ Pittsburgh, Univ Library System
Erişim Hakkı
info:eu-repo/semantics/openAccess
Özet
While the narrative tradition, which has been developing for thousands of years, can be examined by dividing it into three parts as Drama, Lyricos and Epos, since the discovery of cinematography 127 years ago, narrative in cinema has developed narratives parallel to the two most basic theories of cinema, Realistic Film Theory and Formalist Film Theory, as well as contributing to experimental, feminist, etc. narratives in addition to these theories. The main purpose of this article is to examine three different pioneering films and heroes of Turkish Cinema (Umut-Yilmaz Guney-hero: Cabbar, Anayurt Oteliomer Kavur-hero: Zebercet, Uzak-Nuri Bilge Ceylan-hero: Mahmut), which were shot in a realistic theme, and to reveal how they developed their heroes and what kind of experience they offered to the audience with the heroes they presented, starting from the literary narrative genre Epos. Based on the concept of objectivity, the presentations of the heroes were examined by using the cinema's own language and forms with the cooperation of the screenwriter-director.
Açıklama
Anahtar Kelimeler
Experimental hero, Turkish cinema, Epos, Objectivity, Drama, Catharsis, Identification
Kaynak
Cinej Cinema Journal
WoS Q Değeri
N/A
Scopus Q Değeri
Cilt
11
Sayı
2
