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    The Tripartite Constructive Language in Ian Kiaer's Art Practice
    (Istanbul Univ, 2025) Boztunali, Zehra Seda; Kayapinar, Umut
    Contemporary art presents an interdisciplinary structure that incorporates diverse perspectives and techniques. In this context, the article aims to examine productions that are connected to the space through objects incorporated into the artwork, without severing their connection with the wall surface, thereby coexisting with the space. The scope of the research is limited to prominent works from the Endnote: Tooth project by British artist Ian Kiaer, produced between 2005 and the present, which focus on the tripartite construct of surface, object, and space. In Kiaer's works, which begin on the wall surface and extend into the space through various found objects, it is observed that fragile and delicate materials, such as inflatable balloons, are used. These multi-part installations open up an alternative space between painting and sculpture as they extend from the wall into the environment, allowing the space to be actively integrated into the work and transforming the space itself into the painting. Additionally, Kiaer frequently references Frederick Kiesler's concept of the Endless House in his practice. In the research, a literature review and interpretive methods of qualitative research were employed, drawing on sources from the websites ofgalleries representing Kiaer, interviews with the artist, and writings from international biennials and exhibitions.