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Öğe ‘Aesthetics’ Resistance of The Body: Adversary Agendas of Fashion(Metin KILIÇ, 2020) Ertan, CihanThis article traces adversary meanings of fashion, as a social and cultural phenomenon, considering it as a vehicle drawn upon for clothing and presenting the body by means of garments, accessorizes, and of stylizing. In this context, the main aim of the article is to discuss the relationality between fashion and resistance. In doing so, the article, firstly, presents a conceptual framework regarding everyday resistance and subsequently places fashion into a quartet systematical approach that is constructed in order to analyze everyday resistance consisting of (1) repertoire of everyday resistance; (2) relationships of agents; (3) spatiality, and (4) temporality of everyday resistance. In general, this study, with the aim of contributing to Turkish academic literature concerning resistance studies, analyzes fashion based both on empirical observations and on examples from literature with reference to conceptual framework of everyday resistance.Öğe AKIŞKAN ZAMANIN CİSİMLEŞEN DENEYİM ALANI OLARAK BEDEN ÜZERİNE SOSYOLOJİK BİR TARTIŞMA(2020) Ertan, CihanZamanın ölçümü, hesaplanması, anlamı ve dolayısıyla zamanın deneyimi tarihselaçıdan farklı dönemlere göre değişiklik göstermektedir. Deneyimin cisimleştiği bedenise her daim zamanla yakın ilişki içinde olmuştur. Beden ve zaman arasındaki builişki, bedensel pratiklerin zaman üzerinden düzenlenip kontrol edilişinden; zamanınbenlik inşasındaki kritik önemine ve teknolojik gelişmelerin beden - zaman - mekânbağını dönüşüme uğratmasına kadar geniş bir alana yayılmıştır. Bu makale, beden vezaman arasındaki ilişkiye yönelik olarak, zamanın bedensel deneyimler üzerindekietkisini tartışmaktadır. Geç modern toplumsal formasyon içinde, iletişim veenformasyon teknolojilerindeki gelişmelerle birlikte, beden ve zaman arasındaki bukarşılıklı ilişkinin değişiminin izleklerine yönelik kavramsal ve ampirik bir çerçevesunmak, söz konusu makalenin amacını oluşturmaktadır. Bu doğrultuda makale, sanalgerçeklik, artırılmış gerçeklik ve sosyal medya araçlarını, sürekli olarak dönüşenzaman-mekân-beden arasındaki ilişkiyi değerlendirmek için kendine bir zemin olarakalmaktadır.Öğe COVID-19 Experiences of Stage Performers(Brill, 2022) Ertan, Cihan; Sarıalioğlu, ÖzgeThis article focuses on the experiences of artistic performers in Turkey from a primarily interactionist theoretical stance and aims to explore how they have been affected by the C OvID-19 crisis. The lockdown policies implemented in Turkey have had dire consequences for these performers, exposing them to a new social position of insecurity and uncertainty. They have suffered not only from a lack of economic resources but also of the social interaction that in prior circumstances provided them with the grounds upon which they construct and present their social self. The findings of the study show that the closures of performance spaces fractured the day-to-day routines that would normally provide them with a secure social self since they lacked the ground (the physical stage) through which they have physical interaction with others (their audiences). The narratives in the study demonstrate that not being able to be on-stage endangered the process of the social construction of the self as performers and that they sought new ways of reconstituting the performer-audience interaction in order to ease the negative effects of the pandemic conditions and to secure their selves.Öğe COVID-19 PANDEMİSİ ve BEDEN-İKTİDAR İLİŞKİSİ: FOUCAULTCU BİR ANALİZ(Sedat MADEN, 2020) Konak, Nahide; Ertan, CihanBu makalenin temel amacı, Foucault’un cüzzam-egemen iktidar, veba-disiplin iktidarı ve çiçek hastalığı-güvenlik iktidarı kavramlaştırmaları temel alınarak, küresel bir salgın haline gelen Covid-19 pandemisi bağlamında iktidar-beden ilişkisini analiz etmektir. Makalenin temel sorusu: Covid-19 salgını bağlamında iktidarların beden üzerindeki denetimleri Foucault’un egemen, disiplin ve güvenlik yönetim iktidarı kavramlaştırmalarını ne derece yansıtmaktadır ve Covid-19 salgını yeni bir iktidar formunun ortaya çıkacağının ipuçlarını vermekte midir? Makalenin temel iddiası, Covid-19 uygulamaları ülkeden ülkeye değişim göstermesine rağmen Foucault’un bahsettiği üç iktidar mekanizmaları hibrit bir şekilde kullanmakta ve aynı zamanda yeni bir iktidar formunun ortaya çıkmasına öncülük etmektedir. Günümüz devletleri bilgi ve teknolojik gelişmeler sayesinde Foucault’un yönetimsellik teknolojilerine akışkan siber-biyogözetim iktidarı ve refleksif disiplin diye adlandırdığımız bir yenisini de eklemiştir.Öğe The Experıence Of Probatıon In Turkey: Crımınogenıc Needs And Expectatıons Of Probatıoners(2018) Ertan, Cihan; Timurturkan, Meral; Demez, Gönül; Kart, ElifeThis study presents the findings of the research conducted with 2560probationers in Turkey, Antalya between the date of September 2014 and April 2017.From the larger data of the research, this study aims to focus on the criminogenic needs,expectations from probation service of probationers as well as on the areas probationerswould like to improve themselves which is related to criminogenic needs. In addition,the study seeks to illuminate the relationship of these with some demographicalvariables. In the light of relevant analysis, the study both presents the general portrait ofprobation service and probationers in Turkey, Antalya; and suggests some politicalpriorities that may be helpful to improve the quality of probation in Turkey.Öğe The Presentation of Hegemonic Masculinity, Parasocial Interaction and Transnational Online Communities: A Case Study of the Turkish Series “Erkenci Kuş”(2020) Wılson, Sharon; Ertan, CihanWomen in general are still enticed and their consent regarding hegemonic gender relations isbeing gained by the traditional masculine traits presented and portrayed by the media. This articleaddresses how the audience of women from a Facebook group create parasocial interaction through thepresentation of the hegemonic masculinity of the male character - Can Divit in a Turkish series ErkenciKuş. Employing a qualitative thematic analysis of 486 posts combined with observations, the authors addan empirical perspective to the widely discussed concept of audience participation and make a claim thatthe audience perceived motivations for their involvement and their engagement of the show is through themain male character creating what should be known as male objectification. The study doesn’t focusesonly upon the representation of masculinity, further it also concentrates on the gaze of the audiences, andseeks to illuminate how they (audiences) consume these representations and how they relate themselvesto these hegemonic masculine ideals.Öğe THE TRANSFORMATION OF WHITE-COLLAR PROFESSIONALS’ LIFESTYLES IN THE POST-COVID-19 PANDEMIC PERIOD: A BOURDIEUIAN READING(Bekir KOCADAŞ, 2024) Sarıalioğlu, Özge; Ertan, CihanThis article examines how the daily life organizations, lifestyles and working models of white-collar professionals have been affected by the Covid-19 pandemic which has profound effects on all areas of social life, and discusses these effects within the framework of Bourdieu's concepts of habitus and capital types. This article is based on three main questions: (1) “How has the Covid-19 pandemic transformed white-collar working models?”, (2)"How has the shift in work patterns due to the pandemic impacted white-collar lifestyles?" In relation to these questions, in-depth interviews were conducted with 15 white-collar professionals from various sectors who transitioned to a hybrid or remote working model during the pandemic and continued with this arrangement afterward. Data was analyzed using thematic analysis technique through the ATLAS.ti. The main findings are that the working style of white collars has evolved into a remote or hybrid model, this shift has become a key criterion for white-collar employees, and both the work model and white-collar lifestyles have transformed under the widespread influence of the pandemic.
