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USE OF DEATH IMAGE IN THE CONTEXT OF CHARACTER AND TIME/PLACE IN THE PLAY NAMED ROSENCRANTZ AND GUILDENSTERN ARE DEAD
(Düzce Üniversitesi, 2016) Aksoy, Naciye
In his plays, Tom Stoppard effectively uses knowledge of philosophy, linguistics and multiple disciplines. The relationship between the past and present in his theatrical scene is restructured by a density of images where linguistics, semiology, physics and philosophy intersect. Stoppard's scene is a space he opens to debate life and multi-faceted forms of human existence. In this direction, the 'human existence problem' in the philosophical plane constitutes one of the important traces of his plays. Stoppard re-establishes the 'human existence problem', which is open to debate on a philosophical level, in his play called 'Rosencrantz and Guildernstern Are Dead’, in such an intensity of imagery from beginning to end, through the mediation of man’s destiny with death. In the play, 'death image' becomes functional on the basis of Deterministic philosophy and the views of the German philosopher Martin Heidegger on existentialism. In this context, it can be seen that 'death image' is used effectively within the context of character and time/space in Stoppard’s abovementioned play